(Source: nomadpoetry)

Comments (View)

SchoolBoy Q - How We Feeling

HOLY FUCK

Comments (View)
Jessie Thatcher, 30 sec. sketch of Aluminum Foil, Drawings for paintings

(via michaelcharles)

Jessie Thatcher, 30 sec. sketch of Aluminum Foil, Drawings for paintings

(via michaelcharles)

(Source: jessiethatcher)

Comments (View)
(via fuckyeahcats)

(via fuckyeahcats)

Comments (View)

(Source: iggysmirnoff)

Comments (View)
fyeahwomenartists:

Pae WhitePopcorn, 2011 
(via 1301PE Gallery)

fyeahwomenartists:

Pae White
Popcorn, 2011 

(via 1301PE Gallery)

Comments (View)

(Source: say1)

Comments (View)


(via allcreatures)

(via allcreatures)

Comments (View)
Egon Schiele, Two Embracing Women, 1911 (via deadpaint)

Egon Schiele, Two Embracing Women, 1911 (via deadpaint)

Comments (View)
janetodad:

Ryan 

just found my style.

janetodad:

Ryan 

just found my style.

Comments (View)

In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.

(Source: cum-shot)

Comments (View)
fyeahwomenartists:

Cecilia BeauxErnesta, 1914 Oil on canvas
(via The Metropolitan Museum of Art - Ernesta)

fyeahwomenartists:

Cecilia Beaux
Ernesta,
1914 
Oil on canvas

(via The Metropolitan Museum of Art - Ernesta)

Comments (View)